Showing posts with label Manchester. Show all posts
Showing posts with label Manchester. Show all posts

Friday, 12 March 2010

Dr Cunnington knows best

The Gallery of Costume in Manchester reopens tomorrow after an extensive renovation lasting two years and costing over £1 million.

Full disclosure: I have worked as a volunteer at this museum for several years, so its hard to be impartial about it (although I will try!)

The Gallery of Costume is housed in a beautiful 18th century mansion set in the north eastern corner of Platt Fields park, and the improvements have scrupulously respected its architectural integrity and features whilst introducing a welcome sense of space and light.

I'm not going to go on about the building and estate itself (although those that are interested can find a fascinating history of it in the newly republished Fabric of Society, details below) but the couple whose collecting passion and pioneering research formed the basis of what is now one of the most important collections of dress in Britain.

Dr C. Willett Cunnington and his wife Phillis (also a physician) began collecting Victorian dress in the 1930s, and discovered, after making enquiries about it, that there was little or no academic interest in the subject. However, they persisted in their acquisitions and soon accumulated a sizeable collection - not just of garments but books, catalogues and periodicals, fashion plates and photographs - and their research efforts culminated in a series of co-authored books on costume history and theory that helped legitimise the study of dress as a subject of serious enquiry.

The Cunningtons felt strongly that there should be a national museum in Britain entirely devoted to costume and, as they approached retirement from their practice in medicine in 1945, they put their collection up for sale. Their offer was taken up by the City of Manchester Art Galleries, which decided that the now empty Platt Hall would be a suitable venue for it. The Gallery of Costume was launched.

Dr C. W. was quite the media star already - he had "built up a reputation as a lecturer and broadcaster with a flair for racy anecdote, and a gift for summing up the spirit of an age" (Fabric of Society, p.16). And guess what? He can be found in TinTrunk's favourite film resource, the British Pathé archive!

This 1931 film is narrated by Dr C. W. Cunnington himself, as he gives you a potted history of 19th century fashions, worn by real live models (something that no modern curator would permit!) in an elegant garden setting. You can hear evidence of his humour and practised delivery, no doubt honed over numerous lecture appearances, in this delightful short:

A CENTURY OF DRESS. FROM THE FAMOUS COLLECTION OF DR C.W. CUNNINGTON




In 1938 Dr C. W. appears before the camera brandishing a "kind of felt" corset of 1780, and relishing the arrival of a print dress "worn over a hundred years ago" that comes bundled up in brown paper.

I wonder if his wife Phillis was one of the women present in that shot. It does seem that she didn't have quite the media exposure that her husband seemed to enjoy, although perhaps it suited her to stay in the background. There's more non-conservation-standard modelling of antique garments too:

OLD FROCKS




This last film, from 1947, must have been shot during the early days of the Gallery of Costume and begins with a fashion show by designer Rosalind Gilbert. The narrator draws parallels with elements of her designs and historical fashions, and the film then cuts to shots of the Cunnington collection, again being modelled by real live human beings. I won't comment on the curious scene of the woman undressing while being spied on by two little girls (don't worry, its perfectly SFW), except to note that those were obviously much more innocent times:

FASHIONS (issue title is PATHE PICTORIAL LOOKS AT THE PASSING YEARS)




The newly refurbished Gallery of Costume has a fabulous new exhibition on the ground floor covering 20th century fashions - Suffragettes to Supermodels - but if you are visiting, you must venture upstairs to the first floor where Eleanor Thompson has curated an intriguing show of 19th century dress which unpicks Dr C. W.'s theories on women and fashion with a 21st century perspective. Whilst respecting his legacy, it has some illuminating insights into his approach and attitudes to women.


The Gallery of Costume will be open from Wednesday to Saturday every week, 1.30 pm to 4.30 pm.

Address:
Gallery of Costume
Platt Hall
Rusholme
Manchester
M14 5LL

Tel: 44 (0) 161 245 7245


Further reading and exploration

A selection of the museum's photographic collection of over 25,ooo images, can be seen here on flickr.

Jane Tozer and Sarah Levitt, Fabric of Society: A Century of People and Their Clothes 1770-1870, recently republished, I will add details as soon as I know them! [This is an excellent book which features numerous items from the Gallery of Costume's collections in a varied selection of essays about all aspects of dress history, from high fashion to workwear].

The reopening of Manchester's Gallery of Costume. BBC Radio 4 interview by Jenni Murray with Moira Stevenson, head of Manchester City Galleries.

Manchester's Gallery of Costume to reopen after two-year, £1.3million revamp.

Preview of Manchester's Gallery of Costume.

Clothes show returns after £1.3m revamp. [The first, and currently only, comment made me laugh, by the way].

Hats off as revamped clothes show opens.

Saturday, 5 December 2009

The Toast Rack


Hollings Campus, Manchester Metropolitan University, originally uploaded by Trevira. Please click on this picture for the full view (I'm never going to use flickr's 'blog this' button again - the picture never fits!)

When I first moved up to Manchester in 2004 this building really caught my eye.

Its in Fallowfield just off the Wilmslow Road which, if you keep on heading north along it, takes you through the famous Curry Mile, and then tranforms into Oxford Road as you hit Manchester city centre. This road is one of the main arteries into Manchester, and has the multiple bus routes (and regular traffic queues) to prove it.

I was told that it is known locally as the toast-rack because of the row of swooping open parabolas at the crest of the building.

Its a building that is like Marmite - you either love it or hate it (check the comments on the original flickr page to see at least one dissenter).

Some credit is due: this marvel was designed by the architect L.C. Howitt in 1958, and opened in 1960.

By some strange twist of fate, I found myself based here about a year after my move to Manchester, so I had the chance to explore it more fully as a registered student. And I have to confess I'm still starry-eyed about it.

Its an extraordinary building, but its showing its age now and is increasingly inadequate for the volume of students that are flooding into this campus, not to mention the technical difficulties of updating an early 60s building for the demands of the 21st century.

Another problem is that in high winds those prominent ribs generate an eery and noisy howl that can compete with the most determined lecturer, and is seriously distracting for exam candidates.

I'd like to hope that it still has a future with the Manchester Metropolitan University which currently occupies it, or at least a sympathetic new owner who will respect its grade two listing.

Whatever its future holds, it remains a rare example (in the generally architecturally conservative UK) of an architect being allowed to follow his fancy and build an optimistic and ambitious vision of the space age future.

Anne of I Like fame has written a great account of it here, and there's also this fabulous film from British Pathé, made in 1961, extolling the virtues of its original tenant - the Domestic and Trades College:

COLLEGE FOR TRADES